It's Foley Time

When experimenting with foley, three essential things to keep in mind are that any types of objects can be used to recreate a sound, it's smart to record the isolated sounds during production if there's time, and a little bit of editing can largely enhance the sounds that you create. Foley artists work with a studio full of props, and they often rely on things you wouldn't expect like vegetables, so it's important to be open to new possibilities when trying to find the perfect sound. For anyone trying to add foley to their film, a good place to start is recording audio during the shoot of footsteps and objects, so it's easy to dub that over the visuals. It's usually too hard to pick up those small features while shooting, but if time is allotted to put a boom mic up to them, it can make all the difference later. In addition, people experimenting with foley should play around with the sounds in the editing room, because altering with different qualities like pitch can make them sound all the more professional.